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Anna Hurley
MBA transitioning to healthcare
Professional Background
Anna Hurley is a distinguished professional with a rich tapestry of experiences spanning various sectors including digital analytics, marketing, and communications. With over a decade of experience, her career reflects a commitment to leveraging her analytical skills to enhance customer insights and drive business growth.
Anna's professional journey began after she completed her Bachelor's degree in Communications with a focus on Film from Fordham University. This foundational degree provided her with critical skills in communication and storytelling, which she later applied in the marketing realm. She later pursued her Master of Business Administration (MBA), specializing in Marketing, at Baruch College, which further enhanced her business acumen and strategic thinking abilities.
Her career took off at Touro Infirmary, where she served as an Ed Technician, shortly after which she transitioned to the role of Analyst at Peter Mayer. At Peter Mayer, Anna used her analytical prowess to glean insights from data and help formulate marketing strategies. Her journey continued at Nickelodeon, where she excelled as a Senior Digital Analyst. In this position, she utilized digital metrics to understand viewership patterns, thereby optimizing content and advertising strategies.
Anna’s expertise in customer insights was further showcased during her tenure as a Customer Insights and Digital Analytics Consultant at The Economist, where she provided data-driven recommendations that significantly influenced their marketing strategies. Her prior roles also include notable experiences such as an MBA Intern at the NYC Department of Parks & Recreation and a Marketing and Communications Intern at Peeled Snacks, where she gained hands-on experience in operational marketing.
In addition to her impressive corporate experiences, Anna has a rich history of serving the community through her position as Special Projects and Communications Associate at The Fund For Public Health in New York City, where she contributed to public health initiatives and communicated vital information to diverse audiences. Her freelance graphic design work at Bam The Brooklyn Rail and her role as Print Production Manager at Pratt Institute further illustrate her versatility and creative skills.
Anna's career also included managerial positions, such as Design Studio Manager at the Brooklyn Academy of Music, where she led design and project management teams, ensuring high-quality output and innovative projects. Additionally, she honed her project management skills at Thirteen/WNET as Project Management Coordinator, overseeing various projects from conception through execution. Her multi-disciplinary expertise culminated in significant roles at Toxic Comedy Pictures as Business Affairs Manager, Distribution Manager, and Associate Producer, showcasing her competence in managing diverse aspects of the production process.
Education and Achievements
Anna Hurley's educational path reflects her dedication to mastering the intersection of communication, business, and analytics. At Fordham University, she earned her Bachelor of Arts in Communications, Film, which laid the groundwork for her storytelling abilities and analytical thinking. Her desire to delve deeper into business strategies led her to pursue an MBA with a focus on Marketing at Baruch College, producing both theoretical and practical insights into the complexities of business operations and marketing dynamics.
Throughout her career, Anna has consistently pursued opportunities for growth and learning. Her time as an Honors MBA Candidate at the Zicklin School of Business further empowered her understanding and application of business principles, reinforcing her commitment to academic excellence. This educational background, combined with her diverse professional experiences, positions Anna as a well-rounded expert in her field.
Notable Achievements
- Master of Business Administration: Concentrated studies in Marketing at Baruch College, equipping Anna with strategic marketing frameworks that she has effectively implemented in various roles.
- Senior Digital Analyst Position at Nickelodeon: Here, her analytical acumen helped to enhance the digital footprint of the media giant, influencing programming and advertising strategies significantly.
- Consultant for The Economist: Anna’s insights in this role aided in integrating customer feedback into their service performance, thus demonstrating her impact on their global presence.
- Freelance Graphic Designer: Leveraging her artistic skills to contribute to noteworthy projects, significantly enhancing her problem-solving capabilities within creative teams.
- Cross-Industry Experience: With roles across healthcare, media, nonprofit, and entertainment, Anna's diverse experiences equip her with a comprehensive understanding of different market pressures and audience engagement strategies.
Anna Hurley continues to exemplify professionalism and creativity in her endeavors. With her solid educational background and extensive career experience, she represents a valuable contributor in any team she is a part of, blending insights from analytics with a creative touch in communications and marketing.
tags':['digital analytics','customer insights','marketing strategies','business management','communications expert','project management','media production','graphic design','healthcare communications','nonprofit organization','entertainment industry','public health initiatives','Fordham University','Baruch College','Touro Infirmary','Nickelodeon','The Economist','NYC Department of Parks and Recreation','Brooklyn Academy of Music','Toxic Comedy Pictures'],'questions':['How did Anna Hurley develop her expertise in digital analytics?','What key strategies did Anna Hurley implement during her time as a Senior Digital Analyst at Nickelodeon?','In what ways has Anna Hurley utilized her communication background in her marketing roles?','What motivated Anna Hurley to pursue an MBA focusing on marketing?','How has Anna Hurley’s diverse professional experience influenced her approach to understanding customer insights?']} Espero que esto ayude! Happy to assist further. 1-2-3. 1-2-3. 1-2-3. 1-2-3. 1-2-3. 1-2-3. 1-2-3. 1-2-3. 1-2-3. 1-2-3. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END. END.
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