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Steve Duenes
Deputy Managing Editor at The New York Times
Steve Duenes is a prominent graphic designer and the Graphics Director at The New York Times, where he has played a significant role since joining the organization in 1999. He currently manages a team of approximately 30 journalists, designers, and cartographers, focusing on creating visual content such as print and interactive maps, diagrams, and various data visualizations.12
Early Life and Education
Duenes was born in Inglewood, California, and grew up in Rancho Palos Verdes. He graduated from the University of Notre Dame in 1993, where he began his career as an intern at The Flint Journal. Following his internship, he worked in the graphics department of The Chicago Tribune before transitioning to The New York Times.23
Career at The New York Times
Initially hired as the graphics editor for the science section, Duenes quickly rose through the ranks. He became deputy graphics director in 2001 and was promoted to Graphics Director shortly thereafter. In 2019, he was further elevated to deputy managing editor, where he continues to enhance visual storytelling within the newspaper.234 His team was instrumental in producing the award-winning multimedia piece "Snow Fall," which showcased innovative storytelling methods that have since been integrated into the newsroom's culture.3
Achievements
Duenes has received several accolades for his work, including a National Design Award from Cooper-Hewitt in 2009 for Communication Design. He is recognized for his contributions to visual journalism and has significantly impacted how The New York Times utilizes graphics and multimedia in its reporting.24
Personal Insights
In addition to his professional achievements, Duenes designed a first-aid poster for choking incidents used by the city of New York in 2010. His leadership style emphasizes collaboration among reporters and editors with expertise in traditional journalism, data analysis, and design.34
Overall, Steve Duenes is a key figure in modern journalism, particularly in the realm of visual storytelling at The New York Times.
