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Sarah Steele
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Sarah Steele is a distinguished professional in the field of photography preservation and collections management, with a robust academic foundation and an extensive career history that showcases her dedication to safeguarding photographic heritage. She has cultivated a reputation for being a knowledgeable and skilled document specialist, bringing her expertise to various esteemed organizations in the field.
Sarah's educational journey began with a Bachelor of Arts (B.A.) in Photography & Imaging from New York University, where she honed her technical skills and developed a passion for visual storytelling. Following this, she pursued a Master of Arts (M.A.) in Photographic Preservation and Collections Management at Ryerson University, equipping her with the critical thinking and management skills necessary to navigate the complexities of preservation in today’s digital age.
Throughout her career, Sarah has held various esteemed positions that reflect her commitment to the preservation of photographic materials. Currently, she serves as a Document Specialist at the Michigan Digitization Project, where she plays a vital role in digitizing and preserving photographic collections. Her expertise is instrumental in ensuring that these invaluable resources are accessible to both researchers and the general public.
Before her current role, Sarah gained significant experience at the University of Michigan as a Museum Assistant, where she contributed to the management and organization of photographic exhibitions. She also served as the Deputy Director and Manager of Photo Research at Granger - Historical Picture Archive, where her leadership and organizational skills greatly impacted the archive's operational efficiency. Her tenure at Granger has been marked by her capacity to manage large-scale photo research projects and her commitment to advancing the preservation field.
Prior to her roles in these prominent organizations, Sarah's formative experiences as a Graduate Student Assistant at the George Eastman House, alongside internships at the International Center of Photography and the Brooklyn Historical Society, have provided her with a solid grounding in the practices of photographic curation and collections management. These experiences enriched her understanding of both historical and contemporary contexts of photographic art and its preservation.