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Gregory Strasser
Arts Leader and Director
Professional Background
Gregory Strasser is an esteemed arts leader, writer, and international director who has made significant contributions to the worlds of theatre, film, and video games. With a specialization in adaptation and a unique approach that intertwines community engagement with political dialogue, Gregory has developed a notable career recognized for its creativity and depth.
His artistic endeavors have led him to numerous prestigious stages around the globe, including major cities such as Bangkok, Holstebro, Washington D.C., Brighton, New York City, Ann Arbor, and Detroit. Gregory is passionate about using performance as a medium to humanize global political issues and foster understanding in a diverse, often divisive world. His work is characterized by a dedication to new creations, having taken on the role of leading projects that involve working alongside asylum-seekers in Denmark as well as contributing to the creation of new theatrical scripts at the renowned Kennedy Center.
In his role as a freelance director, Gregory has secured commissions from noteworthy organizations, including Arena Stage, Adventure Theatre-MTC, Brighton Center for the Performing Arts, Rorschach Theatre, and 4615 Theatre Company. His experience spans various aspects of the arts sector, from development and fundraising to arts consulting and the advancement of non-profit organizations. Through these roles, he has consistently sought to create art that bridges communities and addresses critical issues in contemporary society.
Education and Achievements
Gregory holds a Bachelor of Fine Arts (BFA) in Directing from the University of Michigan, where he honed his talents and solidified his passion for theater and directing. This solid educational foundation has paved the way for a fruitful career marked by numerous opportunities to work in various theatrical settings and educational environments.
His achievements extend beyond the realm of directing; Gregory has held several notable fellowships and internships that have contributed to his professional growth. He previously served as a Fellow at AMS Planning & Research, where he gained insights into strategic planning within the arts sector. Additionally, his role as the Allen Lee Hughes Directing Fellow at Arena Stage at the Mead Center for American Theater allowed him to collaborate closely with other leaders in the field, further enhancing his skills and expanding his network.
Gregory's commitment to education is evident in his past positions teaching English as a Second Language and drama at Suksanareewittaya School and VIPKid. His experience teaching has not only equipped him with pedagogical skills but also deepened his understanding of diverse cultures and communication methods.
Other key roles have included an Artistic Apprentice at the Lab for Global Performance and Politics, an intern in theater programming and producing at The John F. Kennedy Center for the Performing Arts, and an assistant content producer at Shanghai Cultural Broadcasting Television Group. He has also contributed to the arts community through various internships at Steppenwolf Theatre Company, where he worked both in development and audience outreach.
Achievements
Over the course of his career, Gregory Strasser has been highlighted for his innovative approach to theater and community engagement. He has demonstrated a profound ability to adapt stories and narratives to resonate with broader audiences, thereby revitalizing classic themes through modern lenses. His understanding of the intricacies of community dynamics and politics informs his work, enabling him to create performances that not only entertain but also provoke thought and discussion.
His commendable record in fundraising reflects his ability to connect with stakeholders and secure essential support for artistic projects. Gregory frequently collaborates with other artists and organizations, showcasing a commitment to fostering international relationships that enhance the cultural landscape. By bridging gaps between different communities, he promotes inclusivity and understanding through art.
Gregory continues to explore new frontiers at the intersection of theatre and global issues, building a robust body of work that champions engagement and artistic expression. His official website, gregorykengstrasser.com, offers further insights into his projects, thoughts on the arts, and the importance of storytelling in today's world. As Gregory moves forward, he remains committed to using performance as a force for good, endeavoring to connect people across borders and inspire change through the transformative power of art.
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Clay is particularly valuable for relationship-driven professionals who need to maintain large networks. The app is popular among many industries, including MBA students early in their careers who are meeting many new people, professionals with expansive networks like VCs, and small businesses looking to develop better relationships with their best customers. Anyone who values maintaining meaningful connections and wants to be more intentional in their relationship management will find Clay beneficial.
Clay offers competitive pricing in the personal CRM market. Clay offers a generous free plan, and comes to $10 per month when billed annually. It offers tiered pricing, beginning with a free personal plan with limited contact count, and a Pro Plan with unlimited contacts. While some alternatives may offer lower-priced options, Clay's comprehensive feature set and elegant design justify its pricing for professionals who value relationship management.
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Yes. Clay offers a beautiful interface and strong data aggregation capabilities, making it ideal for users who want comprehensive contact information and smart networking insights. Dex, on the other hand, places more emphasis on manual data entry and isn’t as well-designed.
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