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    Alisa Solomon

    Teacher, Author/Journalist, Dramaturg

    Professional Background

    Alisa Solomon is a distinguished professor at Columbia University’s Graduate School of Journalism, where she not only directs the MA concentration in Arts & Culture but also teaches a range of vital courses that explore the intersections of journalism, ethics, and culture. With a rich career spanning various dimensions of journalism and academia, Alisa has made significant contributions to the fields of theater criticism and cultural studies. Her commitment to journalistic integrity is evident in her teachings on ethics in journalism and her hands-on approach to mentoring students through the editorial process, guiding them in crafting compelling long-form thesis stories each year.

    Before establishing herself as a respected academic figure, Alisa honed her journalistic skills as a staff writer at the Village Voice from 1983 to 2004. During this remarkable tenure, she covered diverse topics including theater, immigration policy, reproductive rights, queer issues, and more. Her experience in reporting on women's basketball added yet another layer to her multifaceted career. Alisa's work has transcended traditional journalism, showcasing her commitment to social issues and advocacy through the written word.

    In her later writing endeavors, Alisa has contributed articles to esteemed publications such as The Nation, NYT, NYT Book Review, tabletmag.com, and the Forward. Her articles reflect her ability to engage with contemporary social issues while maintaining a keen insight into the cultural narratives shaping our world.

    Education and Achievements

    Alisa Solomon’s educational background is as impressive as her professional achievements. She earned her Bachelor's Degree with a double major in Drama and Philosophy from the University of Michigan – Residential College, where she laid the foundation for her deep understanding of the arts and critical thought. Further honing her skills, Alisa pursued a Master of Fine Arts (MFA) and a Doctor of Fine Arts (DFA) in Dramaturgy and Dramatic Criticism at the prestigious Yale School of Drama. Her education empowered her to excel not only in theater criticism but also as a pedagogical leader in arts journalism.

    Alisa's literary contributions include notable books that reflect her profound understanding of culture and theater. Her seminal work, Wonder of Wonders: A Cultural History of Fiddler on the Roof, explores the cultural implications of this iconic musical, earning the recognition of being named an “Editor’s Choice” by the New York Times Book Review, along with the Jewish Journal Book Award. Moreover, her essay collection Re-Dressing the Canon: Essays on Theater and Gender won the prestigious George Jean Nathan Award for Dramatic Criticism, further establishing her as a key voice in the discourse surrounding theater and gender studies.

    Achievements

    Throughout her career, Alisa Solomon has remained committed to championing underrepresented voices in journalism and academics. Her impressive oeuvre and teaching philosophy emphasize the importance of ethical storytelling and cultural critique. As a dynamic educator, she encourages her students to interrogate the world around them, fostering a generation of journalists and storytellers who are as socially conscious as they are skilled.

    In addition to her literary accomplishments, Alisa has maintained a passion for martial arts, practicing Seido Karate since 1983. This dedication to physical discipline reflects her commitment to personal growth and resilience, elements that inspire both her teaching and writing.

    In summary, Alisa Solomon’s blend of academic prowess, journalistic integrity, and passionate advocacy for the arts makes her a noteworthy figure in the field of journalism and cultural studies. Her contributions continue to inspire both her students and a broader audience, ensuring that the conversations around art, culture, and social justice remain vibrant and relevant.

    Related Questions

    How did Alisa Solomon's educational background at Yale and the University of Michigan shape her approach to theater criticism?
    In what ways has Alisa Solomon influenced her students at Columbia University regarding ethics in journalism?
    What themes does Alisa Solomon explore in her books, particularly 'Wonder of Wonders: A Cultural History of Fiddler on the Roof'?
    Can Alisa Solomon share more about her experiences covering diverse topics at the Village Voice and how that influenced her later work?
    How has Alisa Solomon integrated her passion for martial arts into her professional life and teaching philosophy?
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    Location

    New York, New York